![]() ![]() (Note that for exterior work, only real gold leaf will do, and it should be as pure as possible. Oil-based gilding of three-dimensional areas is most often used for exterior work, such as architectural features like domes and spires, outdoor sculptures, the inner surfaces of carved letters on stone monuments, details on grand wrought-iron gates, etc. what other materials (such as paints) you want to use alongside your gold.They're named respectively after the liquid used to make the size/medium/mordant.Įither one can be used for both flat work and for three-dimensional work.Įither may be of interest to the calligrapher! There are two basic approaches: oil-based gold-leafing, and water-based gold-leafing. Whether you just add a simple touch to emphasise one word, or lavishly layer itĪll over the page for maximum dramatic impact, it's worth learning how to use gold leaf.Īs mentioned above, the usual method is to cover the area to be gilded with a thin layer of some slightly sticky substance (called medium, size, mordant etc depending on who's writing) and then carefully lay very thin sheets of gold – 'leaves of gold' – over the top so they adhere. When the illuminated manuscript was the king of books. Gold adds shimmer and resplendance to any object, and calligraphy decorated with gold harks back to those heady pre-Gutenberg days Colour temperature for calligraphy and art.
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